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Jaxson Tapp

Jaxson writes for The Indie Magazine in addition to his day job at Nintendo Wire. Based in Utah, he brings the crisp, cutting vocabulary from the tallest peaks and slipperiest slopes, and reviews films with grace, tact, and flavor.
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Heretic Review: It’s Belief vs. Disbelief as a Psychological Horror Film
TV and Film

Heretic Review: It’s Belief vs. Disbelief as a Psychological Horror Film

Jaxson TappNov 10, 2024
We Live in Time Review: One of the Strongest Romance Films in Recent Memory
TV and Film

We Live in Time Review: One of the Strongest Romance Films in Recent Memory

Jaxson TappOct 11, 2024
The Wild Robot Review: An Instant Animated Classic
TV and Film

The Wild Robot Review: An Instant Animated Classic

Jaxson TappSep 30, 2024
Sing Sing Review: The Influence Of art Has No Boundaries
TV and Film

Sing Sing Review: The Influence Of art Has No Boundaries

Jaxson TappAug 15, 2024
Poster for the 2024 film IT ENDS WITH US
TV and Film

It Ends With Us Review: An Important Message, Even With A Few Missteps

Jaxson TappAug 9, 2024
Twisters is a Wild Ride From Start to Finish
TV and Film

Twisters is a Wild Ride From Start to Finish

Jaxson TappJul 24, 2024
Fly Me To The Moon Review: A Summer Favorite
TV and Film

Fly Me To The Moon Review: A Summer Favorite

Jaxson TappJul 14, 2024
A Quiet Place: Day One Review: Loud, Scary, with Legs of its Own
TV and Film

A Quiet Place: Day One Review: Loud, Scary, with Legs of its Own

Jaxson TappJun 29, 2024
The Bikeriders Review: Great Looking Movie with a Few Missteps
TV and Film

The Bikeriders Review: Great Looking Movie with a Few Missteps

Jaxson TappJun 25, 2024
I Saw the TV Glow Review: Great Performances, Aesthetics, Soundtrack, and a Call For Context
TV and Film

I Saw the TV Glow Review: Great Performances, Aesthetics, Soundtrack, and a Call For Context

Jaxson TappMay 10, 2024

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